Anissa Helou's 'Feast' delivers delicious inspiration from around the Islamic world
Life can get in the way, during normal times, of plumbing the depths of the cookbooks on our shelves or coffee tables.
The Great Confinement of 2020 has changed all that: So many of us are seeking deeply immersive cooking projects to delight us, distract us and give us strength. The most far-reaching of them can also transport us somewhere far away from the confines of our kitchens.
Coming up on its two-year publication anniversary, Annisa Helou’s Feast: Food of the Islamic World has been my nearly constant companion since about a month before quarantine locked us in. Within its 530 pages there are so many beguiling flavors to discover, so much culture to soak in and so much to learn that honestly, I don’t feel cooped up at all.
The book, which won the James Beard Foundation Award last year for best International Cookbook, takes us on a journey around the Muslim world in more than 300 recipes — from Helou’s native Lebanon to Senegal to the west, Turkey to the north, Tanzania to the south and Indonesia to the east, with stops in Morocco, Egypt, India, Iran, Xinjiang and much more along the way. The sweep and scope and depth of the project is just incredible; it’s an awesome achievement.
Author of many other acclaimed cookbooks, including Modern Mezze, Mediterranean Street Food, Savory Baking from the Mediterranean and Lebanese Cuisine, Helou is a gifted cultural guide who tells a great story. (I’ve been following her on Instagram for years; it’s always lovely to see what she’s cooking and eating as she travels around the world.)
The most unexpected story in Feast tells of her quest to taste a roasted camel hump, which begins when she’s invited to take part in a feast in the United Arab Emirates in which a roasted hump would be the centerpiece. It doesn’t work out for her as hoped: Separated from the main part of the feast with the other women, Helou is disappointed to be served some “positively nasty” camel meat rather than the hump, which is reserved for the men. The story ends a couple years later, with Helou purchasing her own baby camel in Dubai, having it slaughtered, massaging it with saffron, rose water and the Arabian spice mixture b’zar (cumin, coriander, cardamom, ginger, turmeric, etc.) and roasting it herself.
“The hump looked gorgeous as it came out of the oven,” she writes, “crisp and golden. Both the fat and meat were scrumptious — the baby camel must have been milk-fed. The meat was pale and tender and the fat very soft . . . . Apparently, people also eat the fat from the hump raw. I will have to try that next time around.” She then proceeds to offer advice for buying your own hump to roast, along with instructions to follow her recipe for Baby Goat Roast, subbing the camel hump for the baby goat.
Most of the stories and recipes are, fortunately for those of us who actually want to cook from the book, much more accessible than camel hump.
Among the dishes I’ve made (so far) and loved were a Chicken Tagine with Olives and Preserved Lemons; a classic Tabbouleh, Kafta (lamb skewers) that I served as Helou suggested with a beautiful Onion and Parsley Salad; savory, spinach-filled pastries called Fatayer; the Turkish salted yogurt drink Ayran, an Indian Mango Lassi and Syrian/Lebanese Rice Pudding. A year ago I bought a rakweh (Turkish coffee pot) and started making Turkish coffee according to the slapdash instructions on the coffee package. Helou’s primer on brewing qahwa (bringing water to a boil, stirring in coffee and sugar, reducing heat, simmering till it foams up, removing from heat and repeating once or twice till no more foam happens), takes it to another level. What a gift!
The Chicken Tagine recipe, which called for four poussin or Cornish hens rather than a generic chicken, required a bit of adjustment. I found Cornish hens, but they weighed nearly two pounds each, and eight pounds would have been far too much for the six to eight people the recipe was meant to serve. I punted and used a chicken instead, cutting it into four (two whole legs and two airline breasts, with wings attached).
The dish was wonderful, and from it I learned so much about Moroccan tagines — the interesting thing about which, writes Helou, “is that instead of browning the meat at the beginning as with most other stews, the browning is done at the end after the meat has cooked and the cooking liquid has evaporated to leave only a silky sauce.”
That silky sauce happens thanks to a lot of finely grated onion and spices that melt over the course of the cooking time into a savory blanket.
I’d had no idea that there were four different types of Moroccan tagines depending on the seasonings used. Nor that many Moroccan home cooks cook the tagine in a regular pot, then transfer it to the beautiful ceramic tagine dish that gives the stew its name to serve at the table. “It is mostly street food vendors and rural folk who cook their tagines in earthenwear tagines,” she writes.
I found myself craving the dish again a few nights ago, when I stared into my (emptying) pantry and spotted a jar each of green Castelvetrano and black Kalamata olives — perfect for the dish. This time I cut the chicken into smaller pieces (leg, thigh, breasts cut in two with wing still attached to one half): even nicer.
Kudos for Helou’s pita bread recipe, which leads off the book. Not that I was able to test it word-for-word: in the time of corona scarcity, I didn’t have and couldn’t get the right kind of yeast. (The book calls for instant yeast everywhere yeast is called for, it seems; I only had active dry yeast.) But Helou’s method — more useful than others I found as I searched far and wide — did serve as seriously useful inspiration when I was developing my own recipe for half-whole-wheat, half-white pita bread.
It’s that kind of authoritativeness that has had me reaching for Helou’s book again and again as I develop any kind of recipe with roots or inspiration in the Muslim world.
There’s a caveat, though. As often as not, the recipes need tweaks, at best, or a lot of guesswork at worst. For a Hyderabadi Dumpukht Biryani, Helou has you marinate a princely amount of boneless lamb shoulder in a lot of yogurt, along with tenderizing green papaya (smart!) and spices. Are we meant to discard the yogurt when the meat goes into the pot? Who knows? Lots more yogurt goes in, so maybe not? If that’s the case, what a waste. I split the difference, shaking the yogurt marinade off most of the lamb pieces, but wound up with an epic fail anyway: There was way too much liquid, resulting in a drab and sodden mush, rather than the elegant, discreet rice grains that distinguish a well made biryani. I wound up picking the expensive lamb bits out of the inedible dish and making them into a soup the next day.
I came to understand pretty early on that rather than a book to precisely follow recipes from, Feast is a book to be inspired by, to learn from and to be guided by. So that even after the biryani fiasco, when Wylie decided to take on a kafta research project — finding and developing the best possible iteration of the Lebanese ground lamb skewers — I handed him Helou’s book. In the headnote for her recipe, she recalls going to the butcher shop in Beirut with her mother, who would carefully watch the butcher chop the meat for her kafta in order to make certain he used the right cuts (shoulder or leg). That inspired Wylie, after a decent version he had made with packaged pre-ground lamb from someone else’s recipe, to use hers, grinding his own meat from a leg of lamb. It was spectacular.
And when we plated the kafta with fabulous hummus, handmade pita and Helou’s Onion and Parsley salad, it transported us a million miles away from home.
There are so many more recipes and techniques I plan to explore in the book: Turkish meat boreks; scallion pancakes from China; a Saudi eggplant fatteh that’s said to be the Prophet Muhammad’s favorite dish; the Lord of Stuffed Vegetables; Moroccan meatballs with rice, harira and couscous with seven vegetables; Persian tadigh; a crab curry from Indonesia. I’ll soon be making up batches of her harissa and garam masala for my pantry.
And I’m eager to try out many of her desserts, once I can get the right ingredients. For now, here’s her Syrian/Lebanese Rice Pudding:
Helou even has a couple of recipes involving fresh, green almonds, answering a question I asked in a story last fall when they were in season.
To be sure, Feast is probably more a book for seasoned, confident cooks and armchair culinary travelers than for beginners who need to faithfully follow instructions. As for me, I’d buy it again in a heartbeat. And for friends who are ambitious, intrepid culinary adventurers, I will offer it as a gift.