Leah Chase

In celebration of gumbo z'herbes, a gloriously green, soul-nourishing Louisiana Lenten tradition

Chloé Landrieu-Murphy’s vegan gumbo z’herbes / Photograph by Chloé Landrieu-Murphy

Chloé Landrieu-Murphy’s vegan gumbo z’herbes / Photograph by Chloé Landrieu-Murphy

By Chloé Landrieu-Murphy

Unless you’re from Southern Louisiana, there’s a good chance you’ve never heard of gumbo z’herbes — an essential dish across the region, particularly for those who abstain from meat on Fridays during Lent. 

Often referred to as “the queen of all gumbos,” its name is a Creole dialect contraction for gumbo aux herbes, meaning “gumbo of greens.” (It’s also known as “green gumbo.”) Earthy, delicious and comforting, it is built like other gumbos, but it also includes an entire garden’s worth of leafy greens. 

Though traditional Lenten preparations of the dish don’t include meat, part of the appeal of gumbo z’herbes is the flexibility with which it is prepared, using any combination of greens, and optional meats. Meat versions may include ham hock, chaurice (a spicy Creole pork sausage), smoked andouille sausage, chicken, brisket and/or veal.

While the combinations of greens and meats that can be used are endless, tradition says that the number of greens included in your gumbo represents the number of friends you’ll make in that year, and that an odd number of greens should be used for good luck. Theories surrounding the symbolism of the greens vary, with some suggesting that nine varieties should be used as a representation of the nine churches visited by Catholics in New Orleans on Good Friday in remembrance of Jesus and his walk to crucifixion. 

A bowl of New Orleans’ most famous and sought-after version — the one served at legendary Dooky Chase’s Restaurant — earns the person eating it nine new friends, the late great chef Leah Chase told Southern Living magazine in 2016. “And I always hope that one of them’s rich,” she added. Chase died in 2019 at the age of 96.

Since 1941, the establishment — founded by Emily and Dooky Chase, Sr. (chef Leah Chase’s mother-in-law and father-in-law), and now run by Leah’s grandson chef Edgar “Dooky” Chase IV and her daughter Stella Chase Reese —  has served the city as a gathering place not only for Creole classics like gumbo, fried chicken and red beans and rice, but also as a vital space for everything from the arts to community organizing. Dooky Chase’s was a place where civil rights leaders, both black and white, came together for strategy sessions with luminaries including Dr. Martin Luther King, Jr. in the upstairs dining room.

Dooky Chase’s Gumbo des Herbes, prepared from a recipe in ‘The Dooky Chase Cookbook’ / Photograph by Leslie Brenner

Dooky Chase’s Gumbo des Herbes, prepared from a recipe in ‘The Dooky Chase Cookbook’ / Photograph by Leslie Brenner

Only once a year, on Holy Thursday (the Thursday before Easter, which falls on April 1 this year), does Dooky Chase’s serve its famous gumbo z’herbes. Featuring roughly equal parts meat (smoked andouille sausage, hot sausage, ham hock, chicken, brisket and veal brisket stew) and greens (collards, mustard greens, turnip greens, beet tops, cabbage, lettuce, watercress, spinach and carrot tops), it reflects the culinary traditions of the city’s Creoles of color.  

To achieve gumbo z’herbes greatness, chef Edgar boils the greens, then purées them. He then steams the meats, covers them with a quick roux, combines that with the puréed greens and their potlikker and simmers it all together before stirring in filé powder and serving it over rice. He generously shared the recipe with us; you can also find it Leah Chase’s The Dooky Chase Cookbook

Still, if you make it at home, there will be something missing. 

“You can put pretty much anything in it, if it’s green,” says Poppy Tooker, a New Orleans culinary ambassador and close friend of the late chef.  “But Leah had a secret ingredient, something you couldn’t buy in the store. Here in New Orleans, there’s a weed that grows wild in the levees and the medians called peppergrass. That was one of Leah’s secret ingredients, and there were some gentlemen who would walk the levees to gather the peppergrass for Leah to put in her gumbo every year.” 

While gumbo z’herbes is most certainly a gumbo, thanks to all those greens, it differs greatly in look and taste from more familiar gumbos. In her book Gumbo Tales: Finding My Place at The New Orleans Table, Sara Roahen notes its uniqueness: 

“The only ways in which gumbo z’herbes resemble more common meat and seafood gumbos are that it’s eaten with a spoon, often crammed with sausage, and thickened with a roux —  and the latter only sometimes. In preparation, gumbo z’herbes is a multiplicity of smothered greens united in a communal pot likker. Its flavor and its origins are more mysterious: no two bites, or theories are the same.” 

So what makes gumbo z’herbes a gumbo? “You’ve still got a stock, you’ve still got a roux, you still have filé and you’re still adding all your meats and all that, so all that is the same base as a gumbo,” says chef Edgar. 

As with so many dishes in Louisiana’s culinary canon, the dish is reflective of a deep and complicated history with both West African and European influences. “All of this can be traced to the West African way with greens and to West Indian callaloo,” Toni Tipton-Martin explains in her 2019 cookbook Jubilee: Recipes From Two Centuries of African American Cooking, which also includes a wonderful version.

Toni Tipton-Martin’s gumbo z’herbes, from ‘Jubilee’ / Photograph by Leslie Brenner

Toni Tipton-Martin’s gumbo z’herbes, from ‘Jubilee’ / Photograph by Leslie Brenner

In The Welcome Table: African American Heritage Cooking, culinary historian Jessica B. Harris speculates that the dish could be a cousin of the West African stew Sauce Feuille. There could be some German influence as well; in his Encyclopedia of Cajun and Creole Cooking, author John Folse postulates that the dish came to Louisiana in the 1700’s with German Catholic settlers who traditionally ate a German seven-herb soup on Holy Thursday.

Today, while the Creoles of color in New Orleans generally reserve their meat-filled gumbo z’herbes for Holy Thursday festivities, few New Orleans restaurants besides Dooky Chase’s serve it, so it’s typically made at home. 

That said, you only have to look at two Holy Thursdays for a sense of how important the Dooky Chase’s gumbo z’herbes tradition is in the Crescent City: April 13, 2006 and April 9, 2020.  

Following the tragic aftermath of Hurricane Katrina and the flooding and closure of Dooky Chase’s, the tradition was put at risk. Restaurateur Rick Gratia opened the doors of his own establishment, Muriel’s, to chef Leah and her team, according to Tooker, who was by her friend’s side throughout. “He turned his beautiful restaurant on Jackson Square over to Leah so that the city of New Orleans wouldn’t be deprived of their Holy Thursday tradition.” 

In many ways, Holy Thursday of 2020 was even harder, Tooker explained to me. “It was the first year without Leah,” she says. On top of that, a week before Holy Thursday, Stella Chase Reese’s husband of 50 years died suddenly of Covid-19.  “But the Chase family still did Holy Thursday, and they did it as a drive-by pickup. There were police, there was traffic for a mile, and there were people lined up. It was a really big deal.”

While gumbo z’herbes is a direct reflection of the Catholic identity and traditions that are so deeply ingrained within Louisiana culture, it’s also a delicious, body- and soul-nourishing dish that can and should be enjoyed by all — which was my thought in developing my own recipe for a Vegan Gumbo Z’herbes.

“When you maintain traditions like gumbo z’herbes, it gives people a sense of hope, a sense of community and a sense of normalcy,” says chef Edgar. 

So if you can’t make it to Dooky Chase’s this year for Holy Thursday, why not bring the tradition into your own home?

🌿

Chloe Landrieu-Murphy is a recent graduate of New York University’s Masters in Food Studies program and a lover of all things food and culture related. This is her first story for Cooks Without Borders.

RECIPE: Dooky Chase’s Gumbo des Herbes

RECIPE: ‘Jubilee’ Gumbo Z’herbes

RECIPE: Chloé’s Vegan Gumbo Z’herbes

Cookbooks We Love: Marcus Samuelsson’s ‘The Rise’ celebrates Black cooks in America

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By Leslie Brenner

The Rise: Black Cooks and the Soul of American Food, by Marcus Samuelsson with Osayi Endolyn, recipes with Yewande Komolafe and Tamie Cook, photographs by Angie Mosier, 2020, Little, Brown, $38.

Backgrounder: A good deal has been written about The Rise — the cookbook super-chef Marcus Samuelsson published late last year. Most of the coverage came right around pub-time, in the form of new-title roundups or best-of-the-year cookbook stories (it made the Washington Post and New York Times’ lists, among others.) Samuelsson and co-author Osayi Endolyn gave an excellent interview to Food & Wine magazine shortly after the book was published.

Many of the universally enthusiastic write-ups did a great job focusing on Samuelsson’s goal for the book. As he expresses it in his introduction:

“Black food is American food, and it’s long past time that the artistry and ingenuity of Black cooks were properly recognized.”

Samuelsson, of course, is the Ethiopia-born, Sweden-raised chef with a nearly three-decades-long history in New York. He made his name in 1995 as the youngest chef to earn a three-star review from The New York Times when he was executive chef of Aquavit; he opened his own restaurant, Red Rooster Harlem, in 2010. The chef has since built an empire of dozens of restaurants in the U.S., Canada, Bermuda, Britain, Sweden, Finland and Norway.

What I haven’t found much of are reviews and stories that dig into The Rise’s 119 recipes (plus 48 Pantry recipes).

Why We Love It: Endolyn’s essays about the chefs, activists and cooks who have inspired the recipes in the book are wonderful, enlightening reads. Spinning through them is a fabulous way to understand something about the future, present and past of Black cooking in America. Endolyn sheds thoughtful light on who has done, and is doing, and will continue informing some of the most exciting cooking anywhere.

Meanwhile, Samuelsson himself is one of the most talented and accomplished chefs of our time, and his recipes — developed with Yewande Komolafe and Tamie Cook — are often thrilling.

Papa Ed’s Shrimp and Grits from Marcus Samuelsson’s ‘The Rise.’ The recipe was inspired by Red Rooster executive chef Ed Brumfield.

We wasted no time weighing in on Papa Ed’s Shrimp and Grits two weeks after the book was published. The dish, inspired by Ed Brumfield, executive chef of Red Rooster Harlem, is heart-breakingly delicious, literally the best shrimp and grits I’ve ever had. Unless you have access to frozen okra, you’ll have to wait till it’s back in season in order to taste what I mean.

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The very first recipe I took for a spin was the lead-off recipe in the book: Baked Sweet Potatoes with Garlic-Fermented Shrimp Butter. I’m a sucker for a roasted sweet potato in any guise, and as this is Samuelsson’s tribute to David Zilber — a Toronto-born chef who’s the former director of fermentation at Noma in Copenhagen — the recipe beckoned that much louder. It’s almost decadent in its lusciousness. The shrimp paste (which I keep on hand for Thai dishes) gives the avocado-butter a wild and wonderful funk.

Montego Bay Rum Cake, prepared from a recipe in ‘The Rise: Black Cooks and the Soul of American Food’ by Marcus Samuelsson with Osayi Endolyn, recipes with Yewande Komolafe and Tamie Cook

Nor can I resist a boozy dessert, and this one — a vanilla cake soaked in dark rum and frosted with whipped cream — didn’t disappoint. Montego Bay Rum Cake is Samuelsson’s tribute to chef Herb Wilson, whose trail-blazing upscale Caribbean restaurant in New York City’s East Village, Bambou, was an early inspiration for him. As originally published, the recipe requires a stand mixer; I’ve adapted it so you can use a hand-mixer, if you like.

Roasted Cauliflower Steaks with Nola East Mayo, from Marcus Samuelsson’s ‘The Rise: Black Cooks and the Soul of American Food.’ The recipe is Samuelsson’s tribute to New Orleans chef Nina Compton.

You’ve gotta try this: Dressed up with minced dill pickle, onion, sambal oelek, fish sauce, celery salt and paprika, the jazzy mayo that tops these roasted cauliflower steaks is worth making on its own. (What a dip for boiled Gulf shrimp this will be!) And slathering it on cauliflower steaks dusted with the Moroccan spice blend ras el hanout is out of this world. (I do wish there were a recipe for ras el hanout in the book. I didn’t have any on hand, and used this one from Paula Wolfert via the San Jose Mercury News.) The recipe honors Nina Compton — chef and owner of Compère Lapin and Bywater American Bistro in New Orleans. The ingredients in the mayo sauce reflect that city’s “diverse African, Haitian and French populations.”

Still wanna cook: Circling back to okra season, the moment those pods start popping into markets, I’ll make Leah Chase Gumbo. Chase — the legendary chef-owner of Dooky Chase’s in New Orleans, who died at in 2019 at age 96 — is one of the chefs to whom Samuelsson dedicates the book. (You’ll have to pick up the book to read the wonderful anecdote about what Chase did to President Obama when he sprinkled hot sauce on her gumbo without tasting it first.) Samuelsson’s tribute gumbo includes shrimp, andouille sausage and filé powder, along with the okra.

Asparagus season will precede okra season, though, and at that moment I’ll pounce on The Rise’s recipe for Shrimp Fritters with Bitter Greens and Grapefruit — a West African-inspired recipe in honor of Jonny Rhodes. Rhodes is the highly acclaimed young Houston chef behind Indigo, a neo-soul food restaurant “focusing on the history, culture, and social experiences that have shaped and guided African American foodways.”

There are many more enticing recipes besides — and all those cool essays.

Here’s a great way to celebrate Black History Month: Buy yourself a copy of the The Rise. While you’re at it, buy one for a friend interested in exploring the delicious, dynamic diversity that is Black American cooking.


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